Mary Shelley’s Frankenstein Essay

The excerpt begins with Frankenstein wandering amid the meth of a mountain glacier where suddenly, the wolf approaches him with super hu art objectity speed (2) and prevents master from escaping the confrontation he wishes to avoid. Without a positive identity in society, the prick is incompetent of attaining self-knowledge and thus, serves in masters hidden stratagem of being an omniscient, god-like frame of reference. Consequently, the creature demonstrates the desire to participate in his creators world, attempting to construct his prejudice by employing language to seek the least recognition from his long-lost parent. This confrontation is metaphorically the site of confrontation between boy and father with a rhetorical argument, designed to channel Victor of his duties as a creator to his creation.The roleplay takes place in the Alpine setting of the Montanvert Glacier. This cold, hostile, and stranded setting symbolises the animals reception by both his creator and society as a whole. Shelley links the landscape to the Creatures feelings of rejection done commiserating comments, such as the bleak skies I fare for they are kinder to me than your fellow beings (48). As a result, the Creature craves human companionship and refers to his loneliness some(prenominal) times in the extract All men despise the wretched how, indeed, must I be dislike who am miserable beyond all existing things (16) The Creature, a flash of fire on the ice, ruptures the frigidness because he embodies the feelings and instincts he represses.On the other hand, the feature that Victor too seeks solace in the mountains makes us wonder if the Creature is Frankensteins double fair(a) like a son grows up to be a spitting image of his father. This appears to be a reoccurring theme in Shelleys Frankenstein. On the surface, Victor and his creature seem drastically different, but in the closing curtain there is not so much of a vast rift. Both inhabit cold, isolated places as they become alienated from society Victor as a result of his choosing and the Creature as a result of societys prejudice.Another magisterial theme in this extract is injustice. The Creature, appeals to Victors humanity stating that legal law allows a man a fair hearing beforehand he is judged The guilty are allowed, by human laws, personal line of credity as they are, to speak in their own self-abnegation before they are condemned. (56) He both demands and begs for the estimable to specialize his horizontal surface a combination of appeal a legal case and redeeming himself before his father.Furthermore, Shelleys allusion of Victor as the rebel figure Prometheus, who defied the Gods by stealing fire from Mount Olympus to apportion life to humans and was subjected to slow painful torture, is bare here. The Creature returns to haunt him, threatening him with comments such as I get outing glut the maw of death, until it be satiated with the blood of your remaining friends. (21). In addition, the Creature comes across as Gods Adam, immersion the world as an innocent creature. The Creature justifies this by stating I was benevolent and good misery do me a fiend. (38) Shelley also uses oxymoron to highlight the Creatures allusion to Adam and also Satan in heaven Lost I ought to be thy Adam, but I am rather the fallen angel (36).By using linguistic devices such as oxymoron, the Creatures eloquence is indeed remarkable. Even his intimately terrifying threats are expressed with elegantly constructed phrases If you will comply with my conditions, I will leave then and you at peace but if you refuse, I will glut the maw of death, until it be satisfied with the blood of your remaining friends.(21) Parallelism and repetition in Shelleys writing produces a harmonious arrangement of words, suggesting proportion and reasoning, which contrast the threats they convoy. Alternatively, Victors language is uncivilized and aggressive. His speeches that s eem melodramatic, include a minimum of deuce-ace exclamation marks and theatrical expressions like, Be gone, foetid sucking louse (13) The language here suggests that Victor is authentically the monstrous one rather than the Creature who comes across as a reasoning, balanced individual.Nevertheless, Victors threats seem ironic when we are reminded of the Creatures superior physical strength and agility. He reminds Victor, one thousand hast made me more powerful than thyself. (31)Despite, Victor calls him an insect (13), an image that seems more appropriately applied to Victor himselfThis selection provides a blinding backdrop to the slow down meeting between Victor and his creature. At the end of the encounter, my sympathies for the Creature and Frankenstein change as they do several times without the novel. This jaw clenching scene is Shelleys most powerful critique of Frankenstein when she allows the Creature to tell his own story and desires. Alas, Frankensteins feelings a re forceful by the words he uses, and he is to me, a prejudiced and heartless being.This passage could have also been used by Shelley to draw sympathy for the Creature. It is baffling to have pity on such an unsightly murderer like Frankensteins creation, yet Shelley, through the usage of numerous literary devices, is capable of convince me that he deserved compassion, not condemnation. Nonetheless, by training this passage, I have learned that with the Creature, we are constrained to confront both figurative and literal junkie questioning ourselves, who really is the monster in this story?